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Thelonious Monk The best way to describe Thelonious Monk would be to say that if Picasso's work was musical, it would sound like Monk.

And that casino equipment rental kitchener experience of sound and literature felt very exotic. They view him as an academic and intellectual authority on jazz as well as a performer.

Black culture in the middle of Wiltshire: US jazz musician Wynton Marsalis plays trumpet in That psychedelic inaccessible jazz works at an age when you are working stuff out for yourself.

Twin river penny slots was one of the few jazz musicians to be accepted by the classical world, and even played in Carnegie Hall with an orchestra.

It's minimalist and child-like, but deceptively so, because underneath is a raw complexity which you only get after several listens.

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It was almost as if we weren't there, yet he knew we were his. From fusion funk through to electronic music using synthesizers and toys, he's always been way ahead. He's an excellent ambassador of jazz, a mentor for kids and a 21st-century Duke Ellington — nothing more, nothing less.

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He was performing vocalese, the art of performing words over jazz solos, and he was just singing about Ella. I didn't understand the music, I didn't even like it that muchand yes, I knew there was heroin involved but I didn't know in what way.

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I guess I was, by then, a music snob and geek and consciously rejecting obvious, accessible jazz. I was 18, reading Jack Kerouac and beat writers who bang on about jazz all the time, and felt I needed to be challenged musically. I'd never heard that level of free form improv piano playing — he looked like a mischievous magician.

It honestly felt like he could set fire to the piano if he wanted. I found his to be so angular, like tiny piano mazes, in which you lose yourself without realising.

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I was freaked out. Since my peers were listening to pop, Monk was a private pleasure. It was Head Hunters, the record that fused funk and soul with pop, that I fell in love with. After seeing him, I decided actually to do the music, properly. There's nothing polite about it, but I responded to his style of dirty jazz tinged with violence in a positive way.

His music has the energy of a revolution and, indeed, soundtracked many revolutions during the 50s and 60s. It mattered that I'd heard it. Listening to Cole's alternative side made me think I was right to be a snob.

It was through Jarrett that I started to understand what it must be like to play jazz at that level to a crowd. I was 15, aware of what was in the charts and flitting between dance music, indie rock and pop, and his particular style of free-form spoke to me as a rejection of the mainstream. He also played a very spiritual style of jazz.

I discovered her on a jazz compilation I found in Oxfam. He was my epiphany. Nat King Cole By my late teens I was really getting into the singers.

He black jack malawian artist me want to go to New York, which I did, and I watched him play four nights in a row. I didn't always agree with his style but having saturated myself with the masters, it was good to return to something traditional. I was fond of what he had done with Miles Davis in the s so the fact that he was still alive, well, I had to see him play.

It took a while, for some reason getting into Coltrane felt like a slow process, but he taught me the basics, so it's no surprise I got into him when I was taking a year out after school to decide what to do with my life. It was almost religious.

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You could even say he channelled the divine through his sax. She started out playing in a swing band and moved every decade into a new arena of music, doing modal stuff in the 70s, and later playing avant garde. I grew up in the west country with little exposure to jazz and although I wasn't rejecting pop, I knew there was more to music.

The song was "Zodiac Suite" and I was staggered that she managed to straddle both jazz and classical music.

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Herbie Hancock Herbie Hancock is one of the few jazz pianists who progressed with the times. He was an immense talent in his own right as a jazz performer, not just with the big band stuff.